2016 | Dec
The end of the Revolutionary War found Athens heavily wounded, having suffered severe damages. Yet, although the Turkish guard definitively left Acropolis only in March 1833, the gradual regeneration of the city had begun as early as 1830.
In November of 1831, the architects Stamatis Kleanthis and Eduard Schaubert, students of perhaps the most important German neo-classical architect, Karl Friedrich Schinkel, settled in Athens, where they carried out a systematic topographical survey and subsequently drafted a city planning proposal, in anticipation of Athens’ possible establishment as the capital of the newly-formed statenewly-formed state. In fact, in May 1832, the post-Kapodistrian Provisional Government tasked them with elaborating a New Plan for the City of the Athens, which was approved in July 1833 by the Regency, who had in the meantime take the reins of state.
Let us see, roughly speaking, what that original plan anticipated. The New City included about half of the Old one, while extending from it to the West, the North and the East. The other half of the Old City, defined by Hephaestus, Pandrosou and Adrianou Sts., was to be expropriated for archeological excavation. But even the preserved section of the Old City was maintained only as a geographical zone, and not as an already constructed space, since it was anticipated that its largest part would be divided up by new roads and standard rectangular blocks. The main axes would form an isosceles triangle, with its peak at today’s Omonia Square, its sides defined by Piraeus and Stadiou streets, and Ermou Street as its base. Its entire orientation was aimed at Piraeus, the Stadium and, primarily, the Akropolis, at whose feet it spread out in an open embrace. The Royal Palace was expected to stand at the peak of the triangle: a symbolic merger of the geometric apex and the apex of state power. The orientation of the sides of the triangle was not accidental: As Kleanthis and Schaubert note in their memorandum, “they meet in such a manner that allows viewing simultaneously the comely Lykavitos, the Panathenaic Stadium, the rich-in-proud-memories Akropolis, and the military and commercial ships of Piraeus, from the balcony of the Royal Palace”. Piraeus and Stadiou streets were interrupted, symmetrically in relation to the Royal Palace, by the Borsa (Stock Exchange) and Theatrou squares. These are today’s Koumoundourou and Klafthmonos Squares which, in fact, are symmetrical, something which one cannot easily recognize within the present-day chaos of Athens.
The road network was elaborated in part as spokes with hubs at circular plazas, and in part as horizontals and verticals in the direction of the main axes, always with absolute regularity. The broader area of the Royal Palace was surrounded by wide avenues, which we will discuss more fully later. The exact sites of all the public buildings and, more generally, the districts for all of the functions of the City: Ministries, Courts, Military Barracks, Police, the Postal Service, the Mint, Cathedral, Parks and so forth. The totality was designed to host all of the activities of a capital and a population which was expected to reach around 40,000.
The geometric planning that runs through both the Kleanthis-Schaubert plan and the Klenze plan (which we will turn to soon) is a basic constitutive element of the neoclassical-romantic city planning as it had taken shape by the end of the 18th century, characterized also by the functional planning and the rational use of space, a perception seamlessly connected with the new bourgeois consciousness, finding its symbolic expression in the Burg, the New City.
By the end of the year 1833, the implementation of the plan had begun. But once it was realized the extent of the areas to be expropriated for the erection of public buildings, the development of the parks and the roadway network, as well as the archeological excavations, a wave of protests erupted, leading the Regency to order a cessation in the implementation of the plan, in June 11, 1834.
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